TEINT     Through the interplay of skin tones, light and shadow, Helen develops sculptural, dance-like hybrid creatures.  The idea emerged out of the task to use only the simplest mediums to stage a series - to merge and morph the models, she uses nothing but skin-coloured nylon tights. The intention behind was to dissolve the individuality of the models, to reduce them to their corporeality and, as a result, to enhance it that way.
       
     
Sobiralski_Teint_03.jpg
       
     
Sobiralski_Teint_01.jpg
       
     
Sobiralski_Teint1_3.jpg
       
     
Sobiralski_Teint_0215.jpg
       
     
Sobiralski_Teint_02.jpg
       
     
Sobiralski_Teint_06.jpg
       
     
  TEINT     Through the interplay of skin tones, light and shadow, Helen develops sculptural, dance-like hybrid creatures.  The idea emerged out of the task to use only the simplest mediums to stage a series - to merge and morph the models, she uses nothing but skin-coloured nylon tights. The intention behind was to dissolve the individuality of the models, to reduce them to their corporeality and, as a result, to enhance it that way.
       
     

TEINT

Through the interplay of skin tones, light and shadow, Helen develops sculptural, dance-like hybrid creatures.

The idea emerged out of the task to use only the simplest mediums to stage a series - to merge and morph the models, she uses nothing but skin-coloured nylon tights. The intention behind was to dissolve the individuality of the models, to reduce them to their corporeality and, as a result, to enhance it that way.


Sobiralski_Teint_03.jpg
       
     
Sobiralski_Teint_01.jpg
       
     
Sobiralski_Teint1_3.jpg
       
     
Sobiralski_Teint_0215.jpg
       
     
Sobiralski_Teint_02.jpg
       
     
Sobiralski_Teint_06.jpg